![]() Ultimately, I would recommend the DACCAPO to anyone looking for an inexpensive utility tool that can greatly open up their creative horizons outside of the box. To further demonstrate the effectiveness of the Palmer DACCAPO, you can refer to the attached image comparing the waveforms. Re-amped performance (Identical settings to above): Original performance (Guitar Cab mic'd with SM57): While the sky is the limit in terms of the creative possibilities afforded by re-amping, I'll put up a simple test of a clean guitar:ĭry DI sound using DBX DB12 Active DI Box: Additionally, the re-amp box opens up your arsenal of stomp-box effects to any sound in your mixing session, meaning you can re-amp synths, vocals and all other sounds sources. If you scour YouTube for some videos of renowned mixing and recording engineer Eddie Kramer, you're bound to find some clips of him doing this very technique! By re-amping archived, dry performances, you can use your hands to improvise with a wah pedal or with feedback-induced delay swells. The ability to free up your playing hands and to reamp your original performance, opens up many creative possibilities with guitar pedals. You can also loop a section of your performance and with your freed hands you can adjust pedal effects on the fly, which is perfect for dialing in timing for delay and tremolo effects. Then you can simply send the edited dry signal out of your soundcard to the Palmer DACCAPO and then back through your effects chain and amplifier. However, the dry signal will have a much more simplified waveform with no modulation, making it easy to pick out singular notes and to modify the performance. ![]() Due to the complicated waveform of the full recording and the inconsistent timing of the phaser modulations, this would be almost be impossible. Upon playback, you decide you want to edit out a few sections. Having the dry performance straight from the guitar archived in my recording session makes it much easier to edit sections, adjust timing and re-amp later for changes in guitar tone and effects.įor example, let's say in your original performance you had a used a phaser on an electric guitar solo. I split the signal right from the guitar using a DBX DB12 active DI box. In my case, I record both my live amp sound and DI signal of the same performance to two separate tracks. Despite it's simplicity, it does exactly what is says it does with great aplomb.įor guitar recording enthusiasts who like to have more flexibility later on in the mix, re-amping is incredibly advantageous. It is entirely passive, therefore does not require any phantom power or external power source. ![]() The Palmer DACCAPO is a robustly built passive re-amping box that converts line level, low impedance signals to High-Z, or high impedance signals for use with guitar amplifiers and stomp-box effects.
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